Diane Ayott
Gallery


SOLO EXHIBITIONS

Paintings: Diane Ayott, New England Biolabs, Ipswich, MAspacer2011
Curated by Art Focus and NEB staff
Diane Ayott, Hess Gallery, Pine Manor College, Chestnut Hill, MAspacer2011
Curated by Gallery Director, Carol Rabe
BEYOND MEASURE: Paintings by Diane Ayott, Barrington Center for the Arts, Gordon College, Wenham, MAspacer2010–11
Curated by Bruce Herman, Gallery Director
Diction: New Work by Diane Ayott, Kathryn Markel Fine Arts, New York, NYspacer2010
Diane Ayott: Upstream, Carol Schlossberg Gallery, Montserrat College of Art, Beverly, MAspacer2009
Complexity: Paintings by Diane Ayott, Wheelock College, Boston, MAspacer2008
Moment to Moment, New England Currents, Danforth Museum, Framingham, MA2006
Defining Surface, Hall Space, Boston, MA2005
Diane Ayott, Johnson Gallery, Glen Urquhart School, Beverly, MA2002
The Paintings and Drawings of Diane Ayott, Winfisky Gallery, Salem State College, Salem, MA2000
Particular Surfaces, New England College Art Gallery, Henniker, NH2000
Personal/Pictorial, Time Warner Gallery, Lynn, MA2000
Diane Ayott, Carol Schlosberg Gallery, Montserrat College of Art2000
New Work, Endicott College Art Gallery, Beverly, MA1999
Distillations, Pat Doran Gallery, Massachusetts College of Art, Boston, MA1998
M.F.A. Thesis Exhibition, Bakalar Gallery, Massachusetts College of Art, Boston, MA1998
Layer Upon Layer, Bromfield Gallery, Boston, MA1996
Paintings, Johnson Gallery, Glen Urquhart School, Beverly, MA1996
Objects in a Landscape, Johnson Gallery, GUS, Beverly, MA1994
Landschaftmalerei, Gallerie M, Kassel, Germany1990
Objekte in der Landschaft, Stadtisches Museum, Herford, Germany1989
Landscape Imagery, The Corner Gallery, Salem, MA1988
Gloucester Landscapes, Bravos Arts Gallery, Gloucester, MA1986

GROUP EXHIBITIONS
Pattern and Repetition, Trustman Gallery, Simmons College, Boston, MAspacer2010
Curated by Gallery Director, Michele Cohen, Ph.D.
Paintings: Contemporary Realism to Abstraction, Susan Maasch Gallery, Portland, MEspacer 2010
July Exhibition, Susan Maasch Fine Art, Portland, MEspacer2009
Curated by Susan Maasch
The Algorithms of Art, McIninch Gallery, Southern New Hampshire University, Manchester, NHspacer2009
Curated by Deborah Disston, Gallery Director
32nd Small Works Exhibition, Washington Square East Galleries, NYCspacer2009
Juried by Danielle Ferris, Director of Stephen Haller Gallery, NYC
From Paintings to Drawings, HallSpace Gallery, Dorchester, MAspacer2008
Curated by John Colon, Gallery Director
Boston Color, Kathryn Markel Fine Arts, New Yorkspacer2008
Curated by Kathryn Markel
NO CHROMOPHOBIA, OK Harris, New Yorkspacer2008
Curated by Richard Witter
New England New Talent, Fitchburg Art Museum, Fitchburg, MA2008
Curated by Kristina Durocher, museum curator; juried by both Ms. Durocher and Cynthia Reeves of Reeves Contemporary, NYC
Consequences of Geometry, McCoy Gallery, Merrimack College, North Andover, MA2008
Curated by David Raymond
Consequences of Geometry, Art Complex Museum, Duxbury, MA2007–08
Curated by Craig Bloodgood
Abstract & Geometric, WomanMade, Chicago, IL2007
Curated by Julie Karabenick
National Prize Show, CAA, Cambridge, MA2007
Juried by Thomas W. Lentz, the Elizabeth and John Moors Cabot Director of Harvard University Art Museums, Cambridge
A Community of Artists, Danforth Museum, Framingham, MA2006
Curated by Katherine French
National Prize Show, CAA, Cambridge, MA2006
Juried by Cheryl Brutvan, Beal Curator of Contemporary Art, MFA, Boston
10 – To The Power Of, Ahimsa Studio, Dorchester, MA2006
By Arrangement, Jane Deering Gallery, Annisquam, MA2005
By Arrangement, Concord Art Association, Concord, MA2005
Curated by Katherine French
Annual Juried Show, Essex Art Center. Lawrence, MA2004
Juried by Joseph D. Ketner II
Salon Exhibit, Clark Gallery, Lincoln, MA2004
New Art ’04, Kingston Gallery, Boston2004
Juried by Anne Wilson Lloyd
New Work, Clark Gallery, Lincoln, MA2004
Town & Gown, Montserrat College of Art, Beverly, MA2004
Annual Small Works Exhibition, Attleboro Museum, Attleboro, MA2004
Juried by Dorothy Simpson Krause
Faculty Exhibition, Montserrat College of Art, Beverly, MA2004
Lynn Creates, The Gallery at Lynn Arts, Lynn, MA2004
Coordinated by Sara Ashodian
North Shore Artists, Wenham Museum, Wenham, MA2004
Juried by Kim Radochia
New England/New Talent, Fitchburg Art Museum, Fitchburg, MA2002
Curated by Anja Chavez
Jurors: John Woodward, Woodward Gallery, NYC; Lisa Skrabec, Babcock Galleries, NYC; and Catherine Redmond
Meditations, Memories and Explorations, Gallery of Modern Art, Marblehead, MA2001
Salon, Montserrat College of Art Gallery, Beverly, MA2001
Salon Redux, Trustman Gallery, Simmons College, Boston, MA2001
Both Salon Exhibits curated by Laura Donaldson
What Do You See? Gallery of Modern Art, Marblehead, MA2001
Anymore, Real Art Ways, Hartford, CT2001
Curated by David Borowski
Ten Contemporary Artists, Gallery of Modern Art, Marblehead, MA2000
The National Prize Show, Cambridge Art Association, Cambridge, MA2000
Juried by Carl Belz, Director Emeritus, Rose Art Museum, Brandeis University
Manifest, A Biennial Survey of Contemporary Visual Art, The Copley Society of Art, Boston1999
Juried by Allison Ferris, Curator of Contemporary Art, Bowdoin College Museum of Art, Allison Kemmerer, Assistant Curator, Addison Gallery of American Art and Linda Norden, Barbara Lee Associate Curator of Contemporary Art, Harvard University Art Museums
The Persistence of Paint, Trustman Gallery, Simmons College, Boston, MA1998
Juried by Nina Nielsen, owner of the Nielsen Gallery and Magdelena Campos-Pons, Bunting Fellow
150 X 150, The Gallery @ Green Street, Jamaica Plain, MA1998–2005
Unseen, Pat Doran Gallery, Massachusetts College of Art, Boston, MA 1997
Informants, Pat Doran Gallery, Massachusetts College of Art, Boston, MA1997
Graduate Summer Exhibition, Huntington Gallery, Mass. College of Art, Boston, MA 1997
Menage A Trois; Ayott, Keefe & Scott, Pat Doran Gallery, Mass. College of Art, Boston, MA1997
Animal Prints, Furniture and Fine Art, Ashwell Gallery, Beverly, MA1997
Tend Your Garden, Ashwell Gallery, Beverly, MA1997
144 Square Inch Exhibition, Erector Square Gallery, New Haven, CT1996
Juried by Robert Reed
Metaphor for the 20th Century; Personal Perspectives, Hera Gallery, Wakefield, RI1996
Juried by Rachel Rosenfield Lafo, Curator, DeCordova Museum and Sculpture Park, Lincoln, MA
READ, White and Black, Ashwell Gallery, Beverly, MA1996
New Work, Ashwell Gallery, Beverly, MA1996
Hearts and Other Body Parts, Ashwell Gallery, Beverly, MA1995
Imagining Angels; Invitational Installation for Paper Prayers, Howard Yezerski Gallery, Boston, MA1995
Juried by Tom Grabosky
New Work, Ashwell Gallery, Beverly, MA1995
The Drawing Show, Boston Visual Artists Union Gallery, Boston, MA1990
Juried by Howard Yezerski, Howard Yezerski Gallery, Boston, MA
Die Bruderkirche, Kassel, Germany1989
Juried by Professor Werner Kausch
New England Landscapes, Lotus Arts Gallery, Cambridge, MA1987

PUBLICATIONS
"The Language of Abstraction, Diane Ayott," Sextant, The Journal of Salem State College, Fall/Spring, 2002
"Profile — Diane Ayott, Today," New England College Journal, Spring, 2002

RECENT REVIEWS
Susan Mulski, "Diane Ayott: Beyond Measure, The Gallery at Barrington Center for the Arts, Gordon College, Wenham, MA",
Art New England,
Nov/Dec, 2010
Kristen I. Pounds, "HallSpace/Boston, MA — Diane Ayott: Defining Surface," Art New England, Feb/March, 2006

CURRENT COLLEGE TEACHING
Associate Professor, Montserrat College of Art, Beverly, MA





© 2006–2009 Diane Ayott. All rights reserved.

Statement
Resume
Home
Contact: Diane @dianeayott.com








RECENT EXHIBITIONS

Diane Ayott: Beyond Measure
The Gallery at Barrington Center
for the Arts, Gordon College,
Wenham, MA

Floater

"Ayott's exceptional skill as a colorist is evident in the gorgeous painting Floater; the dazzling peacock blue and orange creates a jewel-like opulence reminiscent of the geometric abstractions of Gustav Klimt."

— Susan Mulski
Art New England, Nov/Dec 2010

Read the full review

 

Diction:
New Work by Diane Ayott
, 2010
Kathryn Markel Fine Arts
New York, NY


Lost again

"Ayott’s lines and marks come into focus as we near and the penmanship takes on a precision. But Ayott’s precision avoids rigidity and is often a loosely applied geometry as evidenced in her method of patterning. There is a sense that the work is both a study and a doodle, serious and curious; a habit that enjoys fleshing out the meaning by writing it out over and over again. As viewers we read the results, the surface, the play of line, color and the again and again."

— Kathryn Markel
Kathryn Markel Fine Arts

New York, NY




Boston Color, 2008
Kathryn Markel Fine Arts
New York, NY


image

"Diane Ayott uses marks and stamps in patterns over the entire picture plane to create eccentric, slightly skewed compositions that radiate a fierce energy. Layers of riotous color form what she says is an “accumulation of thought” and create strong spatial depth. Because the marks she makes are so thick, they create a physicality that further enhances the sense of being lost in color space. The meditative, sensual pleasure Ayott has in making these is palpable."

— Kathryn Markel
Kathryn Markel Fine Arts

New York, NY




From Paintings to Drawings,
2008
Hallspace Gallery
Dorchester, MA

Hallspace Installation Shot
Installation view

 

Moment to Moment, 2006
Danforth Museum
Framingham, MA



Download brochure

"We are held not only by the perfection of surface, but also by the sheer ability of these paintings to speak. In much the same way that a child will become delighted with one sound, Ayott can fall in love with a single shape, which she then repeats with various levels of intensity... Ayott is capable of telling a number of stories that involve careful looking, each of which can be privately embraced and then retold by the viewer."

—Katherine French
Director, Danforth Museum




Defining Surface, 2005
Hallspace
Boston, MA



Installation view

"Diane Ayott uses abstraction to dissect the English language. Layers of oil paint reflect the strata of meaning in a word or the complexity of a human life. She delves deep into the canvas to illustrate her personal definitions with each piece. The bright colors and sense of movement in Defining Surface offer a terrific energy boost in addition to the artist's metaphoric expressions...

The paintings layer dots upon dots; seeing through these transparent forms the viewer slowly notices new motifs. Moment to Moment presents orderly superficial grids and translucent spots with ovals skillfully placed underneath. As the viewer starts to make sense of the first image, another emerges in our peripheral vision, but with a darting glance it disappears. It may happen several times while viewing the same painting, but the mind refuses to stop trying to grab hold of that elusive illusion."

—Kristen I. Pounds
Art New England, Feb/March 2006



By Arrangement, 2005
Concord Art Association, Concord, MA
Jane Deering Gallery, Gloucester, MA

"Her abstract paintings are highly expressive and emotionally charged, using colors, which call forth a sensation of memory. Their complex and layered structure conveys subtle shifts of information in a way that is both striking and delicate."

— Katherine French
Director, Danforth Museum
Exhibition Curator




Diane's work is included in:

http://www.geoform.net